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Picture 1
The Ash log, 36 cm diameter, cut to length on 40
cm. |
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Picture 2
For this kind of turning between center’s, I make
use of a small faceplate, which is converted in a tree prong center.
This idea was adopted from Tracy Owen, who writes regular in this
magazine.
This is a very sturdy device for turning big lumps of wood between
center’s.
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Picture 3
Getting hands on, roughing out with a 16 mm. / ⅝”
bowl gouge.
With the frequency inverter I tuned the speed
just below shaking of the lathe, which would be about 300-400 rpm. |
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Picture 4
When the wood is in balance, the speed is turned
up to about 600 rpm and the shaping gets started. |
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Picture 5
The outside shape roughly ready, forming a
slightly concave surface on the bottom end for a good fit on the
faceplate. |
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Picture 6
The faceplate mounted, using 6 x 50 mm. screws. |
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Picture 7
Re-shaping after mounting on the faceplate. |
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Picture 8
Drilling a hole with a saw tooth drill in a home
made extension shaft. |
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Picture 9
Starting the hollowing process.
Because the bowl is cut from a log, this means
the grain is running length wise and the hollowing is done in end
grain.
Some years ago I visited a woodturning demo by
Willy Vanhoutte in Belgium, here I saw a woodturner using the Andre
Martel hook tool.
Seeing how easy end grain hollowing was with this
tool, I bought me a small and medium hook tool and experimented a
lot with it. |
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Picture 10
It needs a lot of practice with this tool, but
once mastered, it performed like gouge, cutting the wood downhill,
with the grain.
The cut is started in the center and is pulled
outwards to the rim.
The tool starts with rubbing the back of the hook
against the wood, then turn it anti-clockwise until the cutting
starts.
To control the dept of the cut, you simply rotate
the tool, clockwise for finer cuts and anti-clockwise for heavier
cuts. |
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Picture 11
Once mastered, this tool is a delight to hollow
end grain, large ribbons of shavings flying of.
It offers a quick way to hollow end grain and the
surface left is very smooth.
But attention and concentration is needed, this
tool can be very aggressive when turned to far over to the left. |
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Picture 12
The pre-turning process completed, wall thickness
is left to about 38 mm. / 1 ½”.
The end grain and outside was treated with “End Seal”, a paraffin
wax, to protect the wood against drying to quickly.
The inside was left untreated.
The pieces weight and date was written on the bottom of the foot.
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Picture 13
This amount of shavings was left from one single
piece. |
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Picture 14
Disaster !!!!!!!!!!
After a storage period of 1 ½ year they looked like this.
The left one can be saved, but the right one was ready for firewood. |
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Picture 15
I hate this kind of developments, but from the
other side it gives food for thinking.
This was the moment my brains started making
overtime.
I refuse to make firewood from such pieces.
It took me about six month's to come up with an
idea which could work out.
The rough idea was to re-turn the bowl to shape,
cut it in half and add a sheet of stainless steel in the gap.
So far so good, getting started. |
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Picture 16
The data’s on the bottom.
October 15e 2005 weight 7 kg.
March 27e 2007 weight 5 kg. |
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Picture 17
To stabilize the split bowl, a piece of scrap
wood was glued into the split. |
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Picture 18
Truing up the outside with the 5/8” bowl gouge. |
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Picture 19
Re-shaping the inside, using the Martel hook
tool.
Using a curved tool rest, giving more support
closer to the surface, to give less vibrations. |
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Picture 20
This is a well known tool for a lot of turners, a
square steel bar of 20 mm. , with the cutter head ground under 45
degree and with an interchangeable cutter.
This is a homemade tool, and the shaft can slide
in and out of the handle and locked in place.
With this tool I shear scrape the inner surface.
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Picture 21
Sanding the inside with a 2” sanding pad, using
grids from 120 to 400.
Here I’m using a drill extension shaft to reach
in to the deeper part of the bowl.
I simply hold it by hand and this works very
well. |
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Picture 22
Re-shaping the outside with the roughing gouge.
The roughing gouge was used because it gave less
vibrations than the bowl gouge did. |
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Picture 23
Using the bowl gouge in a shear cutting action to
smoothing the surface.
The split is visible, because the flashlight did
freeze the picture.
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Picture 24
Outside sanding with a 125 mm. sanding disc in
the power drill. |
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Picture 25
Shaping the foot, in this stadium it was still a
part of the design, it should becoming four cut out feet.
Later on, I had to alter the design and removed the foot completely. |
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Picture 26
Measuring out the cutting line to cut the bowl in
half.
A steel rule is placed on top of the foot,
exactly placed on the hart line.
With a square this hart line is taken down to the
top, witch is now on the workbench. |
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Picture 27
The cutting line set out, on the other side of
the bowl is the split. |
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Picture 28
Cutting the bowl in half, on the circular saw. |
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Picture 29
Flatten the bowl halves on the planer.
The safety guard was removed for the clarity of
the picture. |
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Picture 30
The two halves planed flat, now the groove for
the stainless steel sheets should be routed, but I didn’t know
exactly how. |
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Picture
31
Here is where it went wrong with the original
design.
After the cut surfaces are planed and sanded
flat, the gap happens to be 40 mm. instead of the 20 mm. I had in
mined.
I had bought two sheets of stainless steel,
measuring 1000 x 40 x 1,5 mm. , which didn’t fit anymore. |
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Picture 32
To visualize the bowl with gap, I glued in some
scrap wood with some hot glue.
I could have used the stainless steel sheets, but
I had some trouble in how to make a groove of 2 mm. wide by 10 mm.
deep.
Also, the bowl would becoming oval, which I
didn’t wanted.
So, my brains had to make overtime again, to come
up with a another solution. |
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Picture
33
I left the piece a couple of days and give myself
some time to think, when I came up with the idea to fill the gap
with a contrasting wood.
Therefore I choose Laburnum, it contrast very
well with the white Ash.
This solution however, needs also re-designing
the foot of the bowl.
I decided to cut of the foot and add on a
separated foot later on.
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Picture 34
After cutting on the band saw and sanding to the
exact shape, the two pieces where glued together and left them
overnight to settle. |
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Picture 35
I decided that the corners where the bowl and the
Laburnum piece will glued together, should be rounded over.
Here the Laburnum outside corners are being
sanded on a sanding disc, on the lathe. |
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Picture 36
The inside is sanded on a drum sander. |
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Picture 37
The two halves of the bowl where sanded on the
same way.
Sanding the corners smooth, was purely handwork,
going from 120 grid to 400 grid. |
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Picture 38
Before the pieces are glued together, the inside
of the bowl halves are sanded with a Velcro sanding pad on the lathe
going trough the grids 220 – 400. |
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Picture 39
First, the Laburnum middle piece is glued on to
one halve of the bowl and left to settle the glue.
Before gluing the other halve of the bowl, the
protruding ends of the Laburnum are sanded even with the Ash rim. |
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Picture 40
How to glue round shapes ??
Well, simply with some tape and cramps. |
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Picture 41
When I cut of the turned foot, I knew I had to
design some kind of a foot which could mounted on later.
It was a bit of trial and error, and when I
finally got the right design, I made a mould out of folded card
paper to get an even design. |
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Picture 42
Cutting out the feet on the band saw and with the
sanding drum on the lathe and hand sanding the feet where shaped to
its final design.
They are screwed and glued to the Laburnum middle
piece.
The screw holes are filled with molten wax from a
furniture wax stick, in the color of the wood. |
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Picture 43
For the rim, I decided to apply a segmented ring,
also from Laburnum.
Making a lay out on a scrap piece, and making a
mould, the Laburnum was sawn, planed and cut to size. |
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Picture 44
After first gluing the ring pieces two by two,
they where glued together after sanding the two halve rings to an
exact fit. |
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Picture 45
Turning the rim on a large faceplate from scrap
wood.
It was attached with a double sided carpet tape.
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Picture 46
The rim glued on.
Because the bowl was put together off the lathe,
it wasn’t exactly round anymore and because of the cut off foot, the
bowl couldn’t mounted back on the a lathe again, this meant some
handwork to do, to give the rim a perfect fit. |
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Picture
47
The final result.
I’m very happy with the outcome of this project,
nevertheless the many changing’s in design, it has become a very
nice bowl. |
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Picture 48
The tools used,
From the left: -The square shear scraper.
-The Martel hook tool.
-Bowl gouge, I used ½” and ⅝” bowl gouge.
-¾” roughing gouge. |
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Picture 49
Close-up of the hook tool. |